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Madeleine is 100% Madeleine.
Her drawings and sculptures exist at a series of crossroads: The personal and the political; perceived beauty and ugliness; awkward honesty and unwavering confidence. Her "pillowforms" are a metaphor used to explore identity politics - ever aware that the fight over her own body is also bound to the fight of the women around her.
Madeleine's Florida studio is as warm on the inside as it is on the outside; Full of conversation, hospitality, and genuine laughter.
Madeleine is 100% Madeleine.
Her drawings and sculptures exist at a series of crossroads: The personal and the political; perceived beauty and ugliness; awkward honesty and unwavering confidence. Her "pillowforms" are a metaphor used to explore identity politics - ever aware that the fight over her own body is also bound to the fight of the women around her.
Madeleine's Florida studio is as warm on the inside as it is on the outside; Full of conversation, hospitality, and genuine laughter.
Yesterday and Tomorrow II, 2014
Yesterday and Tomorrow I, 2014
Heart of Butter, the Sugar Uncoating, 2017
Pilllowforms, 2015